FRESH
YARN presents:
What
is it you C#nt Face Maria?
By Emma Chasin-Rappaport
Was
it Princess Anne or Paul Lynde who said "There's nothing better than
hanging out with a bunch of queens?" Well let me tell you, my friends,
that couldn't be truer.
Recently, I went to a special evening of theatre called "Sing Along
Sound of Music" at the Hollywood Bowl. That should make the
first sentence make sense now. Everyone who knows me knows two things:
1) I like to refer to myself in the third person, and 2) Emma loves the
musical as a genre. There's nothing like having a dramatic storyline interrupted
by song whenever the emotion hits a high. However, The Sound of Music
was never one of my faves. Maybe it's the goyisha family that actually
has a "Captain" or the prolific Nazi influence in its heroic
theme that makes me feel a little alienated -- neigh I say, stifled --
but The Sound of Music was not a first choice when it came to car-ride
sing-alongs on the way to visit Auntie Rashi at the King David Home for
the Elderly in beautiful, downtown Deer Beach, Florida (never could get
a private room ... it was such a shanda.)
However,
I would like to tell you that for everyone that has ever felt the outsider
at an Austrian-based love story musical, let me say that you should give
it another try. Maybe it was the camaraderie of 16,000 gay men and disenfranchised,
nerdy comedy writers, or the soft pretzels and Chandon champagne available,
but this night was a panoply of good, not so clean, fun.
I was sitting
with my gaggle of girlfriends for our monthly "girl's night out"
which was usually pre-made crudités from Ralph's and a bad Michele
Lee TV movie. But my friend Jane picked this one and it was a winner.
Anyhoo, in
the beginning I had my doubts as the pre-show was an unending roll call
of kids and adults in various, home-made Sound of Music costumes
for the apparent semi-annual Sound of Music Costume Contest (the
winner gets a free cruise to Catalina
does not include free Jitney
rides or golf cart rentals.) I saw visions of lederhosen in drapery material
obviously snatched from the discount bin at House of a 1000 Fabrics. I
saw six youngsters dressed in white, all attached at the head to a huge
pillow kitten face (whiskers on kittens...get it?) and worst of all I
saw an aged transvestite, resembling Gene Rayburn, dressed as the Countess.
But the pre-show entertainment didn't stop there.
The pace
inched along as the sun started to set, but not before the choreographer
of said movie had a thing or two to say, thank you very much. "Oh
Mommy please tell me there's a chance the script supervisor will be there
PLEEEESZZZZE!!!!???" Nope, but I know a 58-year-old Leisel will be
there and maybe she'll sing a pathetic unaccompanied version of "Sixteen
Going on Seventeen." Oh yes
the little minx faked us out, introduced
herself and threatened to sing "58 Going on 59" but laughed
it off as just a far away dream. "Oh stop Leisel! You're killing
me!"
Finally,
the show was to begin and not a moment too soon. The crowd was getting
uneasy. Bored with their polite conversation and French cheese and crackers,
they had resorted to craning their necks to get a glimpse of Tom Cavanaugh
from everyone's favorite comedy, Ed (brought to you by the producers
of The Late Show with David Letterman!) and were all too ready
for the piece d'resistance
Sing Along Sound of Music!
Behind me
were a charming and cutting group of homosexuals. More entertaining than
the experience itself were my new friends, now honing in on my "gay
man pheromone" that usually hinders me from meeting a potential free
dinner with a nice Jewish boy at every social gathering. They offered
me wine, cheese, crackers and fruit while we laughed and laughed -- ha
ha ha, hee, hee, hee, we were best pals. The girls and I settled in as
the hills became "alive."
Armed
with my bag of props, provided by the good people of the Hollywood Bowl,
I had my sprig of Edelweiss, card with a "question mark" on
it (to hold up during the song "How Do You Solve a Problem Like Maria?")
and square of fabric (read: curtain) among other things, ready to go.
The hills
were alive. The Hollywood Hills. And I had 16,000 screaming gay
men and acerbic single women to prove it. Gleefully belting out "My
Favorite Things" and "Climb Every Mountain," the Bowl took
on a fervor. Suddenly, we were all one. Putting aside my constant vigilance
of making certain that my shirt was covering the rolls on my stomach,
I felt my inhibitions leave my body and I became a part of the Austrian
collective, singing my heart out and losing myself in renditions of "Do-Re-Me,"
hand gestures and all. It was freeing and I have to say, I feel I am a
bit closer to understanding why man-on-man love is so appealing. Not for
the sexuality of it all, but for the shared camaraderie. The boys behind
me were relaxed, loud and confident -- almost like the married women I
was with -- they had nothing to prove. No one to impress. They had a community,
and even if they weren't partnered up they felt just as confident without
a man on their arm as my friends did with a man at home. Gay men are an
enigma all unto themselves, and if it were possible, and they were willing,
I would spend my days on what I imagine would be their own perfect island
-- not unlike the one Wonder Woman came from with all of her "sisters"
before she was sent out to help the mortal man. Which brings me back to
The Sound of Music.
Here we have
a naive young nun, Maria, who is cast out by her Mother Superior to see
what the outside world is like by helping a middle-aged widower, Captain
Von Trapp, rear his seven children and thwart his Nazi induction. The
young nun ends up falling in love with the forty-something Captain and
running back to the chapel where she was reared, confused and scared,
to ask the Mother Superior for advice to which the Mother replies in an
Austrian accent, "What is it you can't face Maria?" which the
boys behind me pointed out sounds oddly like, "What is it you cunt
face Maria?" in her fake Austrian lilt.
Similarly,
Wonder Woman was sent to work for a middle-aged man to help him thwart
an evil empire aimed at taking over the good ol' U.S. of A. Wonder Woman
falls for the Captain that she works for, and because it is television,
we are tortured through seasons of unrequited sexual tension between the
two that is never resolved by the time the show is canceled by CBS (home
of Ed brought to you by the producers of The Late Show with
David Letterman!)
My
point is three-fold. Firstly, gay men and straight women love The Sound
of Music because they always longed to see Wonder Woman and Lyle Waggoner
hook up and get down. In The Sound of Music, Maria and Captain
Von Trapp get married and go for a month-long honeymoon where I am sure
the Captain shows her how they did it in the military. We have no proof
of this but Maria is glowing and wearing a smart, yellow tweed suit when
she returns -- a far cry from the drapes and habits she was used to. Missing
is the smeared mascara and the cigarette hanging from her mouth, but I
am guessing that's in the Off-Off-Broadway version. There's a vicarious
satisfaction from watching these two lovers grab the brass ring that Wonder
Woman couldn't wrap up in two seasons.
Secondly,
nothing brings the community together like a good old-fashioned sing-along
with available alcohol.
Lastly, both
those two put together makes for a thoroughly enjoyable evening out with
the gals -- boy and girl gals -- and a small child somewhere in the audience
unfortunately dressed as a pitcher of lemonade. Not too tart. Not too
sweet.
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