FRESH
YARN presents:
A
Mother's Love of Theater
By Wendy Hopkins
Before
I became a mother I loved to go to live performances -- rock concerts,
stage plays, musicals, poetry slams -- okay, not poetry slams. But I do
love the energy of live music, the "anything is possible" moment
before the curtain rises on great theatre and the collective rush of the
audience when they're experiencing great art. BUT, if I'm being totally
honest, there is one other thing I love: the performers. Now I'm not a
groupie, I don't love the performers in real life, it's just in my mind.
I could call it a "stage crush" but that would just cheapen
it -- it's more like a one-way relationship I have from my seat -- pathetic
certainly, but not cheap.
It started
in high school with Skip Prokop, the drummer of "Lighthouse,"
a once famous Canadian band that had sunk to playing high school dances
to make ends meet. I didn't know that then, of course, so when I saw Skip
with his long hair and his 1970s skinniness beating the drums like he
was in love with them, I couldn't help but fantasize. I watched his face
contort and his hands turn the drumsticks over, I watched his sticks tap
the cymbals and imagined he would touch my tiny breasts in much the same
way. Delicately, passionately. I imagined our lives together and how I'd
hang around backstage with all the other "Lighthouse" wives.
Since then
I've found at least one guy in every band, every Cirque du Soleil show,
to fall in love with and imagine a life with. I've fallen for most of
the members of Steve Earle's band, all of the Blue Men, Professor Henry
Higgins, Tom Waits, all the male cast members of Stomp... I could
go on but it would probably just get embarrassing or maybe it already
has.
Anyway when I became a mother I all but stopped going to the theatre and
live performances, "choosing" instead to have no social life
outside of Gymboree. So you can imagine my surprise last weekend when
I took my two-year-old son to the Universal Amphitheatre and ended up
falling in love again. This time with one of The Wiggles.
I had seen
The Wiggles on videotape about a million times and at first thought they
were a bit weird. Why are four Australian guys -- grown men -- why are
they children's performers? But after repeated airings I found myself
singing the praises of Anthony, Greg, Murray, Jeff and Captain Feathersword.
In the moments
before the show started, an overture tape of favorite Wiggles tunes had
turned my son's excitement to tears twice so I was fully concentrated
on my son's emotional state as the curtain rose. The Wiggles ran out and
said, "Hello everybody, let's start the show with 'Rock-a-Bye Your
Bear'."
My son and
I sang along and did the actions. "Hands in the air, rock-a-bye your
bear, bears now asleep shh shh shh."
After a few
moments my son was happy again and I was free to peek at the stage and
have a real look. When I did, I was immediately confused and ashamed by
the feelings I had for Anthony. Surely I couldn't have a stage crush on
a children's performer. I pushed away the thoughts of our sprawling ranch
in Australia and, guilty now, concentrated on my son. This was his experience,
not mine -- I'm a mother now I need to be more responsible, more selfless.
My son and
I laughed together as Captain Feathersword was introduced and he tripped
and fell all over the stage. It was easy not to have a stage crush on
Captain Feathersword -- he's the comic relief and I've never gone for
that.
But then
the music for the animal song started and well, all I can tell you is
it's my son's favorite song and knowing he'd be engaged, I guess I felt
free to slip. And I'm sorry to say I did, slip. Back, back into my old
habits.
"Kangaroo
hops, hopping hopping"
I watched Anthony take huge leaps and
watched his muscles bulging under his casual slacks.
I imagined
him seeing me, the good parent, from the stage, singing with and engaging
my son, and I imagined Anthony's life changing in that moment. I imagined
him asking me out -- I'd be carrying my son back to the car and he'd find
me in the crowd and I'd say something witty to relieve the tension of
our obvious passions. And I imagined having Captain Feathersword and his
wife over for dinner.
For two or
three songs I was Mrs. Anthony Wiggle and I was living in Sydney and happily
drinking a beer by the barby. Then a tapping, tapping, tapping
pulled me from my imaginary life back into this one. Tap, tap, tap!
Behind me a kid was keeping time on my chair back with her Dorothy the
Dinosaur flashlight. Tap, tap tap! Her mother said she was sorry
but the damage was done.
It was then
I felt my son's weight in my lap, different, heavier, asleep. I looked
around to see if anyone had noticed my son fall asleep while his mother
fantasized about a Wiggle. It seems no one had.
After that,
well, I considered leaving. I mean my son was asleep now, what was the
point in staying? But I didn't know when I'd be feeling this live performance
energy again. It was going to be a few months until Sesame Street Live
and wouldn't they all be wearing big furry, unflattering character suits?
I really didn't think I could slip that low -- Mrs. Snuffleupagus?
So, I adjusted
my son into a more comfortable position and let myself slip back into
my dream world to live out my days as Mrs. Wendy Wiggle. Or maybe I'd
keep my last name. Probably.
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