FRESH
YARN PRESENTS:
Avon
Calling
By
Elizabeth Reynolds
PAGE
TWO:
I
was always fascinated watching Mom's listener's jaw drop open and
then hang on every word she shared about her time in the industry.
Up to the point where it would always happen. They would
ask it -- that question that made me hold my breath and wish so
much I could be anywhere in the world other than in that room.
It
was no different that late August afternoon with blood-soaked Kleenex
on my lap, listening as the axe was once again about to fall.
"But
I don't understand," Mom's new lady-friend-client-person said.
"You're so beautiful and you had so much success and knew people,
what happened?!"
My
eyes flicked back to my mother awaiting her response, hoping in
vain that maybe this time she would share something that I hadn't
heard, something that she'd maybe forgotten about why she hadn't
become successful, famous and rich
but most importantly, happy.
Mom
took her usual deep breath, clutched her hands tightly in front
of her, her Frosted Ruby lip trembled, the traditional tear fell.
She looked deeply into her listener's eyes and said, "I had
a child. Everything changes when you have a child."
Silence.
Or
maybe a long, long pause. I don't remember this part as clearly.
But what I do recall was how, on this particular visit, the lady-friend-client
person sat back after tenderly passing my mother a napkin, and looked
over at me on the nearby chair and said, "Well young lady,
I hope you appreciate what your mother gave up for you."
I didn't
reply.
I picked
up the Broadway Opera I'd been working on the whole time. I'd drawn
out a picture that showed the lead diva in a beautiful gown in the
middle of a grand stage with roses thrown down all around her. There
was a plump stick figure of sorts in the background that was supposed
to be Liberace playing the piano, with all his rings brightly reflecting
the actresses' image in them. Next to the piano stood my version
of Frank Sinatra, and in his hands I placed what I thought was an
Oscar at the time, and the actress he was presenting it to was my
mother.
I was
really excited to show it to her, and I thought that it might make
everything better somehow. I imagined my dad, who was a closet poet
and writer himself, could help me write the opera part a little
better, and then maybe I could publish it and my mother would be
happy, feeling like everything she had given up was for a reason.
Getting
up from the living room floor amidst markers and paper and still
scattered Avon products, I walked up to my mother and tried to show
her the picture and story I'd written with it. But, preoccupied
with her lady-friend-client-person, she took my Broadway Opera and
placed it on top of a box of Cape Cod Glassware she was trying to
sell. "I'll look at it later," she said as she directed
me back to clean up my art supplies.
I was
crushed. It had to be right there and then; it had to be in that
moment when she still remembered everything she'd said and done
before I was born.
My
mother had brought with her an Avon box full of various perfume
swabs and mini Lilac Luster lipstick samples. She handed me the
box and asked me to take it out to the car, which I did. I then
sat waiting in the passenger seat, hoping she was sharing my Opera
with the stranger inside.
As
my mother came out, she looked as she usually did, her odd Avon-esque
delivery personae glowing in the sunlight. It was a hot day and
she put the Cape Cod Glassware box she was carrying in the back
seat through the open window. My Opera was still on top and, clearly,
she had not looked at it yet.
I sat
quietly as my mother started the car in silence and we began to
drive off down the street and out of the neighborhood. As the car
drove up onto the freeway and gained speed, there was suddenly a
fluster of wind that came sweeping through the windows, spraying
papers and Lilac Luster samples everywhere. My mother shrieked,
"Oh my god, my lipstick samples! Damnit!"
Just
as she said this, I turned around and looked in the back seat to
see my Broadway Opera fly out of the window in a dramatic exit.
I stared out the back window as the papers danced around on the
freeway behind us. Up and over other cars and onto the side of the
road, I saw my answer disappear.
My
mother, still frantic about her samples, put up all the windows
and asked me what blew out. How many samples did it look like she
lost?
"None
of the samples blew out the window Mom, only some blank sheets of
paper, nothing to worry about."
My
mother breathed a sigh of relief putting up the windows and blasting
the air conditioning."OK, good, thanks, I have to give those
to my customers."
I stared
out my window and thought about the Opera that was probably still
dancing around the freeway behind us several miles back. My mother
turned on the radio. Classical music blared -- a woman was actually
singing an operetta.
I remember
even as a nine-year-old believing there was no such thing as a coincidence,
and as my mother and I drove home into the suburban sunset, it was
like an ode to my lost answer that had forever blown away.
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